Here are the 33 songs from 2008 I thought worthy of a mention (I seriously need an editor). I attempted to include no more than one song per artist so I could achieve some sort of diversity other than 10 TV on the Radio songs.

This song has more of a folk music influence as evidenced by the prominent fiddle, as opposed to the blues-rock sound they’re typically known for. Not a particularly ground-breaking song, but one I enjoyed.
Music Video on MTV.com

I guess you could call this song “Emo,” eventhough I’m still not sure entirely what that means. I always gathered that it just meant the singer is taking himself way too seriously, and that’s kind of what this sounds like. But it works for this this song, which has a definite arena rock/power ballad feel to it that isn’t too common these days.
Music Video on MTV.com

This song is typical Raveonettes. Noisy fuzz guitars underneath retro 60s pop melodies. Even though I pretty much know what to expect with them I can never seem to get enough.
Music Video on MTV.com

This is the song you’d get by looping a sample of someone saying “A Milli” about 300 times, adding some snares that seem like they came from a $100 keyboard, occasionally inserting some thumping bass into the mix, and then of course capturing Lil Wayne’s stream of conscious. One of the stranger songs off the best rap album of the year.
Music Video on YouTube

My Morning Jacket was on the way to becoming one of my favorite bands, but the latest album was a big disappointment. Half the songs seemed like they were trying to be overly experimental, and the other half seemed like they were trying to be completely accessible, which made for a very disjointed album. However, the album standout, “I’m Amazed,” captures all the best things about them, the classic rock sound and southern rock tendencies, Jim Jame’ soulful voice, and the psychedelic guitars.
Music Video on YouTube

Some may consider this song cheesy with it’s straightforward, laying-the-sap-on-thick lyrics, but to me there’s something earnest to me about it. A lot of British/Scottish singers somehow mask their accents, but here the Scottish accent comes through loud and clear, which I’d say helps. This song kind of has the same instant likability that Oasis had early on.
YouTube Link

I thought Gnarls Barkley were just going to be a one album stint, but this song off their second album proves they’re still taking it seriously. I love the slow airy guitar at the beginning followed by the quick rhythm changes, which occur throughout the song.
Music Video on MTV.com

I pretty much have always hated mash-ups. A lot of time it seems like trying to fit a square peg into a round hole and just doesn’t work. But in comes engineer-turned-mashup-artist Greg Gillis, one of the few who gets it right. Part of his success is due to a more expansive selection of different genres and time periods than typical radio station DJs that dabble with mashups. On this song he starts with the rap group UGK over the classic rock song “Gimme Some Lovin.” Then later moves to Jurrassic 5 over Temple of the Dog’s “I’m Going Hungry” (BTW, how awesomely random is it that he used Temple of the Dog…what a song). And then ends with Lil Wayne rapping over Sinead O’Connor’s “Nothing Compares 2 U.” Plus a whole bunch of other identifiable samples in between that you wouldn’t expect to go together so well. Some have described Girl Talk as “ear candy,” and it’s hard for me to disagree.
Music Video on YouTube

I think this song is Weezer trying their best to become the new Queen, and this song is their “Bohemian Rhapsody.” It basically seems to be a medley of different genres, but is crafted so perfectly it becomes completely cohesive. One of the most likable and funny songs I’ve heard in a while. Below is my best attempt at classifying all the genre transitions throughout the song and the order they appear:
The song starts with a soft piano line like many epic songs do, as well as a cheering audience. Then quickly goes to…
1. Rap. They even throw in police sirens for good measure.
2. Heavy Metal
3. Folk
4. Gospel
5. Soul
6. 80s Hair Metal
7. Pop Punk…getting a little closer to Weezer’s sound now. More like Green Day who is similar in some ways. And then…
8. Pure Weezer. When they break it down to sing the songs title it’s unmistakably Weezer. Slow tempo with crunching power chords.
9. Spoken word break. The best I can tell is this Rivers attempt at mocking Guns n Roses “Get in the Ring,” only with much more comedic results.
10. Beach Boys like harmonizing
11. Punk Rock
12. And then the big arena rock finale to close it out.
Music Video on YouTube

Q-Tip has always been my favorite MC, and on his comeback album he definitely looks to the past, which is pretty much a good idea for all rappers. If it wasn’t for the more current lyrics that would make no sense in 1990 (“sent you a message, sent you an email”), this song could be mistaken for a song released during rap’s old school “Golden Age” time period.
Music Video on MTV.com
Extra song! Music Video for “Move” on MTV.com

One of the best new bands to emerge this year. Seven kids from Wales, who have way too much energy. The dueling girl-boy vocals propel the song (with the occasional shouting), as the rest of the band tries to keep up.
Music Video on MTV.com

One of the catchiest songs of the year from one of the best songwriters in the world today, Stephen Merrit. The melodies in this song are perfect.
Streaming Audio on Jango.com (click Listen Now)

No Age are all about sounds. Particularly multi-tracked guitar sounds, and this short gem of a song is a good example. The best way to listen to it is loud, while focusing on all the layers of guitar. Beautiful noise is the best way I can describe it, but probably more of an acquired taste for most people.
Music Video on MTV.com

To me this is one of two songs off of Kanye’s auto-tuned album that I enjoyed (the other being “Paranoid”). The reason is simple. The auto-tuned “robotic” vocals and robotic beats fit perfectly with the song’s title. In other words the auto-tune actually makes sense in this song, other than just masking the fact that Kanye can’t sing. There are also seems to more of Kanye’s robust production in this song with the strings and synthesizers, as opposed to the sparser darker production that permeate the rest of the album.
Audio Rip on YouTube

I remember seeing Zooey Deschanel sing in the movie Elf a couple years ago and immediately thinking what a great classic voice she has. A few years later and she’s the lead singer of a folky indie pop group with veteran guitarist/singer/songwriter M. Ward. This is a simple an immediately likable song with Zooey’s voice as the focal point, but with M. Ward throwing in some cool rhythm changes and even a guitar solo to make it sound a little more modern.
Music Video on MTV.com

I think the right word for this song is eerie. First off, the song sounds like it’s sung by a ghost, and lyrics like “that haunt my days” only adds to the overall feel. Yet, the delicate guitar feedback and loud drumming during the chorus so perfectly mesh with the soft vocals that it somehow adds some warmth to the song, keeping it from becoming too depressing or dark. Quite a masterful song from such a young band.
Audio Rip on YouTube

This is the bar/pub song of 2008 from a group that is usually classifed as anything but a “bar band.” I don’t even think they were actively trying to hide what they were going for. Especially with lines like “I’ve been working on a cocktail called Grounds for Divorce,” and the fact the video for the song is set in a bar. They channel “Hangin’ Tough” with the band singing in unison “Woh-Oh-Oh-Oh…,” but luckily this isn’t New Kids on the Block. Elbow actually reminds me of Coldplay on many of their songs, but this one is definitely unique to their style. Just when you think the song is getting soft, they suddenly “flip the rock switch” with the best guitar riff of the year.
Music Video on MTV.com
Extra Song! Music Video for “One Day Like This” on MTV.com

It was hard for me to pick a song off this album, which is my favorite of the year (for the second time in three years, BTW). So I just went with the first single off the album. This one surprisingly has a somewhat New Wave feel with the sparse electronic sounding instrumentation erupting into a celebration during the chorus. The vocals are pretty unique in the typical TV On the Radio way. With at least two singers singing in high falsetto and one person singing in the lower register at the same time, it definitely makes for an original. I’d say at this point they are my favorite band currently active.
Music Video on MTV.com
Extra Song! Fan made Music Video for “Family Tree” on YouTube

Whereas the Deerhunter song above I would classify as eerie, this song is just flat out scary. The dark bass line and percussion that sound like running footsteps or someone literally knocking on wood keep the rhythm for the entire song. Then, on top of that they put every scary sound they can muster. Dissonant high pitched guitar squeals, squeks, tinny-sounding minor chords, ominous strings, and when you’re about ready to surrender in comes Beth Gibbons spine-chilling vocals. This is the song (good) horror movies are made out of, or at least dark film-noir.
Audio Stream on Last.fm
Awesome, even weirder live version of the song
Other songs! Music Videos for “Machine Gun” and “The Rip” on MTV.com

Bon Iver is actually Justin Vernon. A guy who locked himself in a remote Wisconsin cabin for a couple of winter months just making music with his acoustic guitar and incredible falsetto voice, and emerged with one of the best albums of 2008 (although it actually came out in 2007 mostly under the radar). The intimacy of the setting in which the songs were recorded definitely comes through. And when the serene verses change into the more passionately sung chorus with the words “I told you to be patient,” is affecting in the same way an arena rock power ballad would be, except with more genuine emotion.
Audio Rip on YouTube
Live Version of Song on Letterman
Extra Song! Music Video for “The Wolves (Act I and II)” on MTV.com

The coolest, dorkiest band in America. This song is pure, rock fun with everyone in the band playing their instrument as loud as they can (including the horns and saxophones), with Craig Finn’s mush-mouthed delivery sounding like an everyman. The lyrics are also pretty playful with lines like “in bar light, she looked alright, in day light she looked she desperate…that’s alright I was desperate too.”
Perfect Live Version of Song on Letterman from YouTube. Just like album version

Other than possibly the White Stripes, no other band has been more consistent during the entire decade than Alabama’s own Drive-by Truckers. As far as I can tell they’ve made “southern rock” even more southern and about two times more interesting than their predecessors. Not to mention, I don’t think any other band is even attempting to do what they do. The band’s two primary songwriters are Patterson Hood and Mike Cooley. And while Patterson Hood I think gets a little more notoriety with his slightly more edgy songs, to me there’s not many better songwriters than Mike Cooley in all of rock. The meaning behind his songs are typically very poignant and the words have such a perfect symmetry to them, while still maintaining they’re underlying meaning that they reach the point where you can’t imagine any other words being used instead. Quite a feat. This particular song is about the grunge era of the early to late nineties, and basically just his frustration with it all. It takes us through the end of the hair bands to the beginning of the grunge era in the early nineties, all the way through the end of the grunge era and emergence of the “karaoke”/American Idol phenomenon. The lyrics and vocal delivery along with the music are perfectly constructed as always, with long lines such as “It was 1990 give or take i don’t remember when the news of revolution hit the air. The girls hadn’t even started taking down our posters when the boys started cuttin’ of their hair.” Not many artists can make long lines such as that work throughout an entire song. Other examples of this are “Bob” from their latest album and “Carl Perkin’s Cadillac” from the last album. And sorry if I’m gushing, but this is a band I feel is notoriously underrated.
Audio Stream on Last.fm
Live Version of song on YouTube

This song is the result one of the best bands in modern blues rock music working with one of the most innovative producers in urban/rap music. And the results are a success. The beat is all Danger Mouse, as well as the creepy background vocals and piano line. And the Black Keys take care of the bluesy guitar and vocals. One of the most successful and interesting pairings all year. I’m not sure where Danger Mouse finds the time.
Streaming Audio of song on YouTube

This year, Torche reminded me the reason I used to love heavy metal so much, although I would say they stop a little short of becoming pure metal, since the vocals have a more uplifting tone to them than you predictably typically find…maybe that’s why I like it. The guitars however come in loud and eventually erupt into a Kim Thayil (of Soundgarden) like guitar solo toward the end of the song. I wish there were more bands playing “heavy” music like this. But for now it appears Torche have their very own genre.
Audio Rip on YouTube

Another song in the same mold as 2006’s awe-inspiring Hoppipolla. While not quite as bombastic still achieves levels of magnificence and epic-ness most bands could only dream of. The song title is translated to “Within me a lunatic sings.” I can’t understand the words at all (sung in their native Icelandic), but it doesn’t even matter. Besides, more than half of their songs are sung in a completely made up language anyway. They’ve always been more about conveying moods and emotions through music, which has always been more interesting to me. And they basically do music better than just about anyone.
Music Video on YouTube

I think the hype machine raised these guys to a level I’m not prepared to place them, but there’s no doubt they have an extremely pleasant and warm sound to their music that’s very difficult to produce. The song’s title pretty much describes it perfectly. The harmonized vocals are definitely hymn-like and the imagery the lyrics produce are definitely winter-equse. I also love the intro, and how it takes 8 attempts before the singer finally remembers the words. But seriously, it’s one of the best and unique ways to begin a song I’ve ever heard.
Music Video on MTV.com

Vampire Weekend is another new band that had a massive hype-machine. The only problem is their hype was so great it had a backlash. It was cool to like them until everyone else did. But ignoring all that, they released a great album full of almost effortless sounding songs that have a unique African rhythm and catchy at the same time. The lyrics are witty and ironic…basically just what you’d expect from a preppy Ivy Leaguer Indie Rock band. Things I like about this song are the catchy vocal inflections in the verses and the slacker vocals during the chorus.
Music Video on MTV.com

The Walkmen have always sounded like a mess. The guitars, drums, organs, typically sound sloppy. And don’t even get me started on lead singer/crooner Hamilton Leithauser’s voice kind of of casually singing somewhat independently to the rest of the music. One thing they will never be accused of is “over-production.” It would all be pretty terrible if it wasn’t so purposeful and produced a sound that was so fresh and spontaneous. By the way, I also think I found a new favorite singer. The way he sings, croons, and yells in this song evokes more of a reaction than many singers could ever get out of listeners. Especially when he screams “It’s Gonna be A Good Year!” over the loudly ascending organ and guitars, you actually believe him.
Music Video on YouTube

I admit I had trouble choosing one song from Santi White’s (stage name Santogold) first album. Both “LES Artistes” and “Lights Out,” are incredibly catchy songs that reproduce the 80s new wave sound almost flawlessly. Ultimately I chose “Lights Out,” because I thought it was the more retro of the two. I could easily imagine this song being made by Blondie in the late 70s or early 80s. One of the catchiest songs of the year.
Music Video on YouTube
Music Video for “LES Artistes” on MTV.com

At first this song comes off as just a quirky, electro/Devo-like retread of the 80s (which seems to be a theme on this list, btw…and I’m not done yet). But then the soft, cool-as-ice chorus comes in, made even more cool by the breezy synth, and suddenly it becomes one of the most pleasant and interesting songs of the year, especially with all the electronic bleeps and electronic sounds that reveal themselves more and more after repeated listens. If I had to describe this song in one sentence, I’d say it sounds like it was made by robots who have been programmed to feel.
Music Video on MTV.com
Music Video for “One Pure Thought” on MTV.com

Jason Pierce almost died of pneumonia in 2006, and his latest album was made with that as the primary theme, and this song is the most straightforward off the album that relates to his experience and the most uplifting song I’ve heard all year. Typically, he is never this straightforward in his songs, and allegedly considered leaving it off the album because it was too straightforward and catchy sounding (in other words too pop-like). It’s good he left it, because it’s probably the best song he’s ever written and captures the feeling and elation felt after surving such an ordeal better than just about anyone ever has. Lyrics like “freedom is just another word, for when you’ve no one left to hurt” speaks to how an experience like that (possibly his own) makes a person realize that pursuing a somewhat selfish desire for personal freedom ultimately leaves you lonely. And then later simply sings about his happines to be alive with lines “I got a hurricane within my veins, and I want to stay forever.”
Music Video on MTV.com

Continuing my 80s themed list, this song is probably the most authentic Actually, it is unapollegetically trying hard to sound like it was recorded in the 80s, as is the entire album it came from. I mean, the album cover is even filled with 80s movie characters for crying out loud. In fact, you may remember this song from the Breakfast Club, just because it SEEMS like it must have been in the movie. Anthony Gonzalez or M83, fills the song full of fake. By that I mean, full of fake sounding drums, guitars, instruments, noies and especially the vocals…in other words, completely 80s. I’m not sure if a long-past musical genre has ever been captured as authentically as on this song, and it’s extremely cool to hear and reassuring that music being made today can bring back that unmistable 80s feel. Even more impressive is the song totally avoids becoming gimmicky, and would have been considered great even back in 1985.
Music Video on MTV.com
Music Video for “Graveyard Girl” on MTV.com

Whenever I hear this song I think of this scene from High Fidelity where Rob (played by John Cusack) walks into his record shop and hears some new music playing over the PA system. He asks his music-snob employee Barry (played by Jack Black) who the band is? Barry looking extremely depressed says the song is by the two young skater punks Vince & Justin, who have previously caused mayhem around the store and even been caught stealing records. Barry then goes one to say with great pain “it’s….it’s really effin’ good.” Basically having trouble admitting how two punk kids could make music a pretentious music snob like him could enjoy. Anyway, the two “skater punks” in the movie may be a couple years younger than the two members of MGMT, but I can’t help but feel the same as Barry when I hear this song. Two kids in there early-twenties who started making music allegedly just to annoy there college classmates and yet somehow produced this unlikely classic, which is simply about nothing more than fantasizing about becoming a rock star. The song almost reaches epic status despite it’s mere 4 minute length. It’s got the big beats, the droning bass, and of course the awesome synth hook that begin the song and closes out the choruses. The celebratory vocals perfectly capture the nature of the song. The lyrics are somewhat immature but when you consider the perspective the songwriters are coming from, it just comes across as completely earnest. My 2008 song of the year.
Music Video on MTV.com
Fake Music Video for “Kids” on YouTube
Music Video for “Electric Feel” on MTV.com